Fuga, 2018
steel, copper
165x35x45 cm

                                                                                    Rullo, 2018
                                                                                    painted wood, steel
                                                                                    38x38x200 cm

Lésions (extract), 2018
typographic poem
60x60 cm
photos © Götz Arndt

                      Spinta II, 2018
                      concrete
                      216x32,5x155 cm

                   Innommées insomnies, 2018
                   concrete, marbles, steel
                   102x80x142 cm

Anonymes, 2016
silkscreen on oxydized copper
89x39,8 cm

Spinta, 2016
concrete, steel
300x170x180cm

Untitled, 2016
concrete, copper, steel
200x40x40 cm

Untitled, 2016
silkscreen on oxydized copper
62x41 cm each

66th Jeune Création, 2016

ΗΤEΛEYΤΑIΑΠΝΟΗΤΟYKYKΛΩΠΑ, 2015
'Le dernier souffle du cyclope'
concrete
196x50x65 cm

                                                                                    Octone, 2014
                                                                                    steel, concrete, marble
                                                                                    185x80x80cm

SPECIMEN Mute, 2013
steel, matrix, marble, caoutchouc
136x28x42cm

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SPECIMEN Unknown, 2013
tape recorder, marble
126x28x42cm

     SPECIMEN Résurgences, 2013
     steel, concrete, marble
     200x40x40cm

Joïk, 2013
MDF, audio system,
sound piece 9’39’’
300x270x60cm

soundcloud link : https://soundcloud.com/fran-ois-bianco/joik

SPECIMEN Unknown, 2013
16 steel stripes
198x113x0,8cm

     SPECIMEN Unknown, 2013
     steel, copper, piezo
     variable dimensions

Substance, 2013
steel, copper, piezo, aluminium, caoutchouc, marble, concrete, tape recorder
variables dimensions

The installation Substance is composed of sculptures, audio recordings and video. The group of forms called SPECIMEN is an assembly of audio and sculptural elements. These two entities work like couples. They become the sculpture by merging : an encounter between diverse audio elements and steel structures, concrete, marble, rubber, etc. These contrasts between the textures of the materials give rhythm to the sculptures.

Joïk is an overlapping of a succession of white boxes. The boxes have cavities where speakers emit sounds.These sounds are recordings of vibrations travelling through the materials. This architectural landscape is erected like a rampart, a border between the space occupied by the sculptures and a second space, in this case empty, in which a video of mental images is projected.

The video depicts an accumulation of saturated images from the past: drawings, collages, photographs are projected in a deconstructed way over one of the exhibition walls. In other words, images appear over the architecture that hosts the installations. These memory fragments are perceived as luminescent remnants.

Tuska, 2012
steel, piezo, FX pedals, audio system
variable dimensions

Tuska is an installation only established by steel and audio devices. These sculptures are used as producers of echos through an intuitive musical construction. The original matter’sound become allied to its distorted counterparts.

Disease, 2011
concrete, tar
250x180x60cm